Everyone is enjoying The Falcon & Winter Soldier, right? The show has stimulated some good awareness of the atrocities committed against Black people (note, everything is not about the Tuskegee experiment.) Once one tragedy enters the public awareness, we have a tendency to run it into the ground. We still need to have a larger, deeper conversation about the treatment and atrocities committed against Black soldiers, which is really the lesson of the story of Isaiah Bradley. Black soldiers, still in the midst of the inhumane treatment during the Jim Crow era, were used, abused, and treated like cannon fodder in pursuit of the country’s anti-imperialist conflicts, while treating Black soldiers little better than beasts of burden. Many were left broken with little recompense and recognition for their monumental sacrifices. Carl Lumbly has done a superb job portraying the pain and resignation of a man who had his hope crushed and, then, turned in on itself. Resulting in him just trying to eek out the small, peaceful life of someone who just desires to be left alone. Everything was taken from him.
While we have been exploring and analyzing the racial context and messages in The Falcon and Winter Soldier, I haven’t seen anyone address Karli Morgenthau’s blackness/biracialness. On the innanets, people seem to really dislike the character and struggle to follow the Flag Smashers’ logic. Marvel Studios, to its credit, has built a fascinatingly diverse cast with chemistry that doesn’t feel forced in any way. Karli’s race has not been asserted in the show and I have to wonder how many viewers even realize that she is of Black/African descent. I knew she was Black right away, as I will assume most Black viewers did. We come in infinite combinations and most of us learn from a young age to identify each other in the most subtle ways. Interestingly, in the television show, Karli was intentionally gender-swapped and de-aged from the comics by the showrunners to provide more representation for young women.
The Flag Smashers represent an issue that doesn’t receive attention in the United States very often. Internally Displaced People (IDPs) are escaping crime, armed conflict, coups, food insecurity, and other threats to their survivals in their own countries, different than refugees. The most similar experience we have had in the United States is the aftermath of Hurricane Katrina. In the case of the Blip, all governmental and civil society infrastructure was disrupted for 5 years. When things came back, people understandably started to rebuild things as they had been, old power and wealth structures. Some of those who had been left behind didn’t want to go back to the old ways, instead they thought things were better during the Blip. In the show, the Patch Act is in the process of being voted on, which would return all of the stateless to their previous countries, which many did not want nor did the camps have the capacity to handle. The Flag Smashers were attempting to stop it, by violent means if necessary, and would perhaps be appropriately described as anarcho-terrorists.
Given that Karli’s racial identity hasn’t been addressed in the show, but assuming that she is mixed race from the UK as the actor is, it stands to wonder whether there is another story to be told. Is there an expected allegiance between Sam and Karli because of their potentially similar experiences with discrimination? Does she hold back on harming him and his family because of familiarity? What does it mean to her to see a Black Captain America, especially given her experiences with imperialism and authoritarianism. Sam empathizes with her motivations, but not her tactics. He connected with her, but the conversation was cut short, unfortunately. He explores his shared experiences regarding Isaiah, but what about with Karli? Is he willing to end her life to stop her?
They chose Erin Kellyman to play this role for a reason. In Episode 4, her compatriot said that he didn’t think there could be another Captain America until he met her. As the old saying goes, one man’s terrorist is another man’s freedom fighter. It didn’t resonate on the first watch, but looking at it through the dual lenses of race and gender, she was another Black Captain America. As Sam wrestled with John Walker, Bucky, and Isaiah Bradley, it just feels like the writers left something on the table. But, in six episodes, that would have been asking a lot.
Overall, the writers have knocked it out of the park so far. You know you dun gud when racist fans are mad and calling you SJWs all over the internet, as if social justice hasn’t been at the core of Marvel since the beginning. Fun fact, over half of the series’ writing staff are Black.
So, what say say you? Does her background matter? Do you want to know more about Karli and the rest of the Flag Smashers? Do you empathize with their goals?
One more episode left. The finale is April 23, 2021 at 3:01AM EST. Are you staying up to watch?
In a March 18, 2021 Deadline interview between Anthony D’Alessandro and Malcolm Spellman, Malcolm said this:
Can you tell us about the specific details of the pitch you fumbled?
I’ll tell you at the end of the season. I really want somebody to get Kevin to talk about the original run because it was so on point. It was so on point it was like ‘Oh, no, we can’t do that.’
WTheck does this mean??? Are we going to get the Spellman cut at some point???
You ever watch a movie that was so bad that it made you mad??? I remember hearing about this movie when it was in development. Peeps were a little excited because, let’s be honest, we all yearn for a good X-men movie. This was initially marketed that way. I’m convinced that rumor got started before anyone saw the actual storyboards for this. In fact, I choose to believe that the studio greenlit this movie without talking to any of the comic creators. Yes, it was that bad, and I’m trying to be fair.
How do you take a cast studded with extremely talented young actors and just waste them? How do you make a movie seem like it was given a huge budget and not enough money all at the same time? Who was the audience for this movie? I just can’t.
Plot synopsis: Five powered young people whose powers have caused death and mayhem find themselves in an institution to learn to control their powers. It is somewhat suggested that they are being trained to be X-men, though this is less clear in the movie. In reality, they are being assessed by the Essex Corporation to determine whether their powers are useful or dangerous. The main character’s powers (Dani) were left unexplained for most of the movie, but she is eventually deemed too dangerous to live. They live in a creepy, abandoned hospital that they slowly realize they can’t leave of their own volition. They go through emotional breakdowns, they kiss, they fight, and, then, they team up to try to overthrow the evil doctor to escape. Smiling men, puppets, and demon bears, oh my! The End.
New Mutants is supposed to be a horror trilogy, but it is more teenage angst-y. It’s like someone got lit and said, “What if we make Twilight meets Legion?” Alas, Anya Taylor-Joy’s portrayal of Magik is passable, but it was like she was in an entirely different movie. Thankfully, the sequels were cancelled, so there won’t be any followups.
It’s a pandemic and I didn’t have anything better to do, so I finished it. But, yo, they put this out in theaters in 2020; could you imagine catching the ‘Rona for this?
And, since this is BlackTrekkie, let’s talk about representation. First, there are no black actors in this movie. The main character is Native American, a group that often suffers from the same lack of depth and reliance on stereotypes in their portrayals in the media. In this movie, her cultural background is simply used as a plot device and is barely shown. This is an inexcusable shame, given the opportunity to offer viewers a glimpse into a culture we rarely see. Second, Sunspot is supposed to be Afro-Brazilian and dark-skinned and Dr. Reyes is a Black woman in the comics. One of the creators, Bob McLeod, has gone on record criticizing their inaccurate portrayals. The movie was shelved for three years, but it had been in development since 2009. Someone at some point should have spoken up and said that this would be unwise with fans. Even in 2009, we knew better right?
1 out of 4 stars. I kinda want you to watch it so that we can compare notes. Actually, nah, don’t.
(but, I know you’re going to watch it anyway because it has Mutants in the name. I see you.)
If you’re reading this blog, you have been waiting for Luke Cage to be released with baited breath. I’ve been checking my Netflix repeatedly to see if it would be released a little early. How greedy am I?
In all seriousness, we need to give Netflix kudos for making a show that was so black. Black with a capital B! The director, the female lead, Pop’s barbershop, Biggie with the crown, the soundtrack, Heather B., Ali Shaheed Muhammad, Wu Tang, and the gatdamn Delfonics. So indulgently black and so needed right now.
Harlem is in the midst of gentrification and a Councilwoman named Mariah is doing her best to make sure the city remains black and brown. It sounds admirable, but we quickly learn that it is tainted by ambition and drug/gang politics. Her cousin, Cottonmouth, is the local kingpin who is under increasing pressure to defend and expand his territory. Luke Cage ends up in the middle of this when Pop’s Barbershop is attacked and Pop is killed. Pop was the closest thing that Luke had to a father and brought the ruckus to bring down Cottonmouth and Mariah’s criminal enterprise. There is a huge shift in the story about halfway through that allows us much more insight into Luke’s backstory. I won’t ruin it for you.
The series did so many things right: the setting, the pacing, the soundtrack, the sarcasm, and the reverence for the comics were like a slow burn. I think the standout feature is the acting. Mike Colter, Simone Missick, Alfre Woodard, Mahershala Ali, Erik Harvey, and all The Wire actors who turned up put in tour de force performances. All the actors seemed to revel in the opportunity to flesh out their roles. Something about it feels different. I’m not sure we’ve seen black characters like this before. Even Turk wasn’t a caricature. You won’t forget any of these characters. Honorable mention to Misty Knight’s naturally bountiful bosom and Luke’s hoodie, which deserve their own conversations.
And, shout out to Night Nurse! Can we get her her own show? Every time I see her character, the more I like her. Rosario Dawson did that! #nightnursesolit needs to start trending now!
I will acknowledge that there were weaknesses. Shades. When he first took his shades off the first time, I thought we were about to give way to the supernatural in the show. Does looking someone in the eye give him the ability to know whether someone is telling the truth? Why does he wear them all the time, even at night? The seeming answer was such a letdown. No, he just likes wearing shades. The uneven treatment of his role was awkward and frustrating. He’s intended to be a ‘chaotic neutral’, but instead he’s just chaotic. I don’t know if it was tha the acting was wooden or that the writers didn’t know what to do with his character, but it just didn’t work. Make a decision! And, we’re not even going to discuss that kiss. I screamed out loud a little.
Diamondback was confusing as well. Erik LaRay Harvey did a great job with the material he was given. My complaint was about the material he was given. Diamondback is a lunatic hellbent on destroying Luke Cage, but he’s also a criminal mastermind. What comes across is a petulant man child with daddy issues and misplaced aggression. Is that really a villain worthy of Luke Cage? I don’t think so. It was kinda corny. Here’s hoping that this season was just an introduction and they have much grander plans for Diamondback.
There were a few MCU continuity issues that I noticed. Alfre Woodard already played a different character in Iron Man 3. A reference was made to President Obama when he is not the president in the Marvel universe. I’m sure there were a few others that I missed.
The story is also a bit detached from the rest of the MCU. Not sure if I should consider that a plus or minus. There is mention of The Incident, the Hulk, Iron Man, Thor, Justin Hammer, and Jessica Jones, but seemingly less so than other shows. We’ll see how this continues to unfold in Season 2.
All in all, a great show that is soul satisfying. Thank you to everyone involved for giving it to us.
P.S. If you’re like me and have a whole lot of questions about a certain character, click here. Great writeup by Zakiya Jamal.
I think so. You know from my previous review that I thought Suicide Squad was ridiculous, but I haven’t really written about X-Men: Apocalypse. I was disappointed with both and I’ve been searching myself to figure out why. I finally figured it out: they are the same damn movie. Hear me out:
In both movies, there is an ancient, body-jumping consciousness that has overwhelming, magical powers that had been locked up by the normal humans. Some overly curious scientist/investigator let them loose and they decided to wreck havoc on civilization. They each assemble their respective teams and go to war with each other. The war is messy; bombs are launched, people die, and there’s travel by helicopter. Inexplicably, both Big Bads plan to build some sort of destructive machine/monument to assume total control of the world, but we never quite find out how they will work. But, in the end, everything just falls flat.
Not the sort of thing that inspires movie ticket sales, eh?
Magneto and Mystic are the bad guys with questionable allegiances on the X-men team and Storm, Psylocke, and Angel are on En Sabah Nur’s team. But, they are all just kinda bad and most for understandable reasons of survival. You know that they are going to turn on their leader in favor of saving humanity. Amanda Waller assembles a team of rogues, called the Suicide Squad, that are chosen for their ruthlessness ad willingness to be and do evil things to combat evil. But, they never really seem that bad. Enchantress, the Big Bad in Suicide Squad, calls up her brother as her main henchman. She also turns men into faceless goons who have caviar for heads by kissing them.
SS’s Deadshot and X-men’s Quicksilver both get their time-slowing save the day moments. More helicopters and explosions. There are a few minutes of backstory to make the audience feel some emotion for them. Joker and Wolverine are shoehorned in for fan service, can’t have movies without them. And, both movies came to the same unsatisfying conclusion that left the viewer wonder what was the point of all this meshsugaas.
Thankfully, nobody dances like Enchantress.
Thinking about that made me lose my train of thought, so I’ll stop here. But, seriously, did anyone else notice this?
I confess that I’m a big Will Smith fan. Even after all of the misunderstood comments, side-eye at his kids’ creative commentary on reality, and the questionable choice to star in Focus. I still love Will; can’t help myself. So, of course, I went to see Suicide Squad on the opening weekend. Didn’t hurt that I received free tickets (hype!).
So, let’s get into it. The early reviews for the movie were bad. Well, bad is actually kind of an understatement. At the time of writing, Rotten Tomatoes has the movie at 28% Rotten. Not sure I’ve ever seen a rating so low for a big movie. The reviews were so bad that my mind went into C-O-N-spiracy theory (word to Damon Wayans). Was the Man trying to hold DC Movies down? After the bad reviews for Batman vs. Superman, is Disney/Marvel trying to stomp down any challengers to its superhero movie dominance? It couldn’t possibly be that bad, could it?
Yeah, it was pretty bad.
As much as it pains me to write this, the movie was bad. I tried. I tried to keep an open mind. I tried to see it as what I think it was supposed to be: a setup for future movies. But, as the movie continued, the more I found myself thinking this sh*t can’t be happening.
The plot of the movie, in a nutshell, is a bunch of society’s misfits with either given or honed special powers assemble to fight a supernatural power that all of our mortal weapons are woefully inadequate to destroy. There are guns, lots of fights, CGI, a love story, all the good stuff you’ve come to expect out of a superhero flick.
On deck are:
Will Smith as Will Smith with a Gun/Deadshot
Jared Leto as Tony Montana/Joker
Margot Robbie as Harley Quinn. No jokes here, she did a great job.
Joel Kinnaman as Rick Flagg/Angsty Eyebrows
Viola Davis as Annalise Keating with a Gun/ Amanda Waller
Jay Hernandez as Diablo
Jai Courtney as Digger Harkness/Boomerang
Adewale Akinnuoye-Agbaje as Killer Croc. Sigh.
Cara Delevigne as Dr. Moone/Enchantress
Adam Beach as Slipknot
Karen Fukhara as Katana
Common as Monster T
Ben Affleck as Bruce Wayne
Got it? Good. There will be a quiz later.
That’s a lot of characters to set up in one movie, right? I agree. That’s the main problem with the movie; it’s all over the place for no good reason. Each character gets between 3-5 minutes of backstory, save Slipknot who gets 10 seconds. In fact, maybe less, he is summed up in “He can climb anything.” Then, he dies. Bye Slipknot. Native Americans may be salty as sh*t at this. Frequently a black person is the first to die in a movie, but even we get more screen time than that.
Deadshot has a kid who doesn’t want him to be a mercenary anymore. Diablo has the most juice of any of them, but he’s sworn off killing in an attempt to quell his demons. Dr. Moon gets possessed by Enchantress. Amanda Waller is a sociopath in a pantsuit. Katana is emo-crazy with a sharp sword. Killer Croc is… well, we’ll come back to that. Harley Quinn gets the most backstory to setup the quixotic obsession that she and Joker have with each other. Speaking of which, why is the Joker even in this movie??? Jared Leto, reportedly, stayed in character the entire shoot by playing pranks and doing some downright disgusting things to his co-stars (i.e. sending them used condoms). Was he hoping to win an Oscar with this role? He either needed to be in the movie or not at all. After some thought, I think not at all. He should have his own movie focused on Joker and Harley Quinn, because the snippets of their relationship development made no sense in the movie. What kind of magic stick/mind f*ckery did he do to turn Harley Quinn out like that? Please get him on Oprah because inquiring minds want to know.
The problems with the movie mainly come down to pacing and tone. It’s serious one moment and lighthearted the next. One minute, the team is a bunch of strangers; 15 minutes and some drinks later, they are talking about how they are family and friends. These are bad guys, the baddest. Does game recognize game? If so, how do you build trust like that with folks you don’t know? Do you have to test their loyalty first? The was a sharp sigh in my theatre when Diablo started talking about messing with his “family”.
Speaking of Diablo, he was the only character whose story offered any emotional range. He was the only one I came to care about during the entire movie. His gift caused him to harm the people he loved the most. Well, him, and Deadshot’s daughter. Batman pops up to try to wrangle Deadshot and her little tail stepped in front of Deadshot’s gun. I know that they were trying to Pursuit of Happyness Will Smith’s character, but bye. First off, it’s Deadshot; he still could’ve hit Batman without her moving because HE’S DEADSHOT! Second, I know Daddy had a talk with his little girl about not interfering in grown folks bizness! But, whatever. If I had pulled that, my dad would have turned into a 10 foot tall monster like Enchantress’ brother. Trust.
Deadshot did have the funniest moment in the movie when he was making demands, one of which was to ensure his daughter went to an Ivy League school and, if she couldn’t cut it, to “White people that thing. Y’all know how y’all do”. In-joke about meritocracy. There was some polite tittering at that line in my theatre with a few full belly laughs. The kind of laugh that says, “Pause the movie, you heard that sh*t, right.” I don’t know who they came from; it was dark.
That could have been the end of the movie and I would have felt satisfied. But, there was more.
Cara Delevigne’s Dr. Moon/Enchantress was the main antagonist in the movie. Dr. Moon was possessed by Enchantress after having found an idol containing her spirit in a cave. Dr. Moon was sweet and yielding and fell in love with Rick Flag, but her other side was the complete opposite. Enchantress got free and all hell broke loose, literally and figuratively. Now, here’s where it got hinkey for me. Why were the plots of X-Men: Apocalypse and Suicide Squad so similar? Apocalypse, like Enchantress, was this ancient Big Bad that was extremely overpowered and used to being worshipped as a God. Both were trying to construct something that caused massive destruction around the world. Was it half-off script day at Starbucks? The similarities made me wonder whether this was the reason for the obvious editing mess that was Suicide Squad’s end result. I’m sure we’ll never know, but it is irritating because Suicide Squad had sooooo much material from which to draw.
Anyways, the movie goes downhill into complete drivel and silliness that isn’t worth recounting. The one upshot was Enchantress doing the drunk/crackhead shimmy while trying to conjure her magic. Cara should be angry about the role she was given. Why did a witch found somewhere in South America have a British accent? This has got to be the downside of being beautiful. Nobody takes you seriously. Everything you do is just great (including looking like the little girl from The Ring). But, then again, you get a role in a major movie, so I guess it’s a wash.
This might be the most diverse marquee of any big budget movie. That makes the clusterf*ck that this film turned into all the more sad. Let’s imagine what could have been: one focused backstory with other supporting players (probably should have been Amanda Waller’s story), no Joker, and a better villain. Hey, they could even bring Slipknot back in the retconned sequel! And, maybe, they’ll do better with Killer Croc. Yeah, I know I said I would come back to him. How you gon’ do Adebesi from Oz dirty like that, David Ayer? He’s an excellent actor. It probably would’ve been better if they just didn’t have him speak. His one intelligible utterance was about getting BET in his cell in order to watch what appears to be the long defunct BET Uncut. My eyes rolled so hard that they nearly fell out of my head. I guess David Ayer figured that there were so many black characters in the movie that it was fine to make Killer Croc one massive and continuous stereotype. I can’t call it.
**1/2 Stars. I have the feeling a better movie exists in the deleted scenes. The movie is still going to make a ton of money, but DC can still hold this L.
So, what say you?
* Yes, I totally forgot that Monster T was the first to die, Jason. Fight me.
Boy, the hits just keep coming, don’t they? We’ve lots a lot of good ones over the last year, but this loss feels more personal. I haven’t posted in a while, but this passing deserved a post. James Avery was one of the GOATs in the acting game, of all races. Most of us knew and loved him as Uncle Phil on the Fresh Prince of Bel-Air, but us Trekkies knew he was also Captain K’Vagh on Star Trek Enterprise. Even fewer people know that he auditioned against Michael Dorn for the role of Worf in TNG (Stop for a sec: Can you imagine?)
We’ve lost one of the greats, everyone. Nearly everyone’s favorite TV dad and an actor that gave 100% to every role he took. He passed on today after suffering complications from heart surgery earlier this month; he was 68.
Beware, a Klingon Warrior is about to arrive!
Truth, y’all are going to have to follow me on this one. Star Trek and Wu Tang go back like Bugs Bunny and Daffy Duck. I would bet you $20 that any black trekkie you meet is also a Wu Tang fan. And, if you asked them to explain why, they couldn’t. Why? Because Wu Tang is for the children (RIP ODB)! There’s an other-ness, slightly esoteric, to enjoying both and, as such, you earn a certain geek cred when you bring them up. Truth, I’ve been waiting to find the guy who likes both on his own and, when I do, we’ll probably hit Vegas. I hear they do Klingon weddings at a little chapel out there.
Anyways, this brings me to Drake. It started with Macklemore mentioning Wu in a song, all good, white boy can rap. But, then, Drake comes out with “Wu Tang Forever” and my brow instantly furrowed. I like Drake, but he’s not exactly known for spitting hot fire, right? Exactly. It’s a song out of my nightmares. How did he even get the “It’s Yours” sample cleared? Rza, WTF??? The song is about creeping with a girl who already has a man and Drake is SINGING! Don’t use the Wu to prove you’re cool. I fully expect there will be some Star Trek name drops soon enough.
I guess there’s no such thing as bad publicity, right? Am I wrong?
Hold up, so Voyager 1 has left the damn solar system and it’s not on the front page anywhere? Y’all do realize what an achievement this is, right? Voyager has now traveled farther than any man-made object to date.
Just so we are clear, this is a photo of Earth from Voyager 1 in 1990. See that little blue dot in the brown band? Yep, that’s us and everyone who has ever lived on Earth. It’s been 23 years since that was taken.
There’s been controversy about whether Voyager 1 actually left for a year or so now, but it appears researchers are certain that Voyager 1 is now traipsing through the Milky Way. It has actually gone where no man has gone before!
Remember V’ger, anyone else a little nervous? Could you imagine Voyager 1 being intercepted and upfitted by a race of aliens and returning to us? I’ll be long dead by the time that happens, but it is kinda cool to consider. On the other end of the spectrum, a probe entering a black hole and becoming self-aware was a very similar story to the movie Event Horizon– the scariest movie ever made. Let’s hope that sh*t doesn’t happen.
The V’ger entity and resultant merger with Ilia and Lt. Decker is supposed to be the beginning of the Borg, so, yeah, let’s hope all of that doesn’t happen. In fact, let’s hope that the galaxy is filled with gentle, kind My Little Ponies or something.
In fact, maybe there is good reason for this not to be front page news after all…
Happy Friday everyone!
No, the sun is not about to go DMX on you and lose its mind (up in here, up in here). However, the sun’s magnetic field is about to flip, likely in the next few months. The polarity flip takes place about ever 11 years, so, don’t worry, we aren’t going to die a fiery death. There may be some more sunspot activity and potentially some telecommunications disruptions due to increased solar storms. But, have no doubt, this is a big deal that will affect our entire solar system!
Check out more about the flip here
And, while we’re at it, here’s the clearest picture of a sunspot ever taken. Pretty nifty, huh:
You may have seen or heard coverage this week about Google-supported research to develop meat grown from stem cells. One of two people who was able to eat a burger cooked from the stem cell meat said that it was good, but lacked fat. Now, any talk of artificially-grown meat makes our collective alarm bells go off because we all remember Charlton Heston yelling “Soylent Green is People!” in the eponymous 1973 film. I am pretty confident that every third person who read or heard the story probably thought, “Hmm, how long before someone grows people burgers?” I don’t think that fear is warranted, but I was definitely the third person in that case. Slippery slope. Would you eat a stem cell burger? Tell the truth. Truth-I might because I recognize that the demand for meat has all sorts of undesirable environmental consequences. Probably no time soon, gotta wait and see if it turns anyone into the minion monster.
Which leads me to my next topic. Why on earth would someone create a potentially revolutionary food (not meal) replacement drink and name it “Soylent”?
Beats me, but it’s working. There is a growing movement of people who are trying to figure out how they can stay alive without eating actual food. I’ve been trying to keep up on its development. Apparently, Soylent is a blandly sweet concoction of everything the body needs to survive. It can be prepared in advance and taken with you. Right now the cost is still high and the ingredients can be hard to find, so it won’t be coming to a store near you soon. That said, it could totally revolutionize the weight loss industry. Liquid diets work, but they are typically missing nutrients and people end up losing hair, dying, etc. The question for me is whether people will end up with gall bladder problems long term because fat is needed to cause the organ to contract. That used to be a big problem with liquid diets in the ’80s. Right now, the creator isn’t trying to lose weight, so he eats at his caloric maintenance and tweaks the formula when he starts to feel weak. He also doesn’t advocate only drinking Soylent, he has a few regular meals with food when he feels like it. Definitely keep an eye out for it.
Nootropics, I still don’t fully understand this topic. Basically, people are trying to figure out how to lifehack their brains to squeeze out every ounce of cognitive computing power through nutritional or pharmaceutical supplementation. Essentially, they want to be like the lead character in the movie Limitless. Some of the ingredients have to be procured through grey markets, meaning overseas pharmacies and others are simply nutritional supplements like melatonin. Many of you have taken 5-hour Energy to give yourself extra pep and sharpness, we may see something similar on the market soon for mental clarity and memory. I haven’t tried any of them though the topic is definitely interesting.
I worry less about Soylent being people; I don’t want us to end up like Morlocks.
What about you; are you up to try these?