You know how sometimes you eat until you’re full, yet you’re still craving that something missing? That’s how I felt about the finale of Falcon and The Winter Soldier. This series was an origin story to ease us into seeing The Falcon, a black man, as the new Captain America. Falcon tried to walk away from the mantle after it was thrust upon him by Steve Rogers. In the process of the buddy cop redemption of Bucky, Sam Wilson came to learn the background behind the super soldier serum and wrestled with what was needed from him in the post-Blip era. In the end, he stepped up to the shield and accepted the conflict-filled idea of a black man carrying it.
The writers tried to do a lot– address racial justice, resettlement, wealth inequality, mental health, atonement, and the use and maltreatment of the military in six episodes. The finale ended up feeling rushed and anemic. Overall, I would give it an 7.5/10. But, seeing Isaiah Bradley properly honored for the injustices done to him makes up for any deficiencies in the rest of the story. It was almost cathartic to see him no longer be denied and in the shadows. Can we please get a a one-shot of the fight between Isaiah Bradley and Bucky? Please.
Seeing how many racists went running on the internet during every episode of this show, this miniseries was as much to make the fans comfortable with Sam as Captain America as anything else Marvel hoped to accomplish. Perhaps in Phase 4 of the MCU, we will not have to deal with people complaining about how they just can’t see anyone other than Steve Rogers as Captain America.
The series also set up the Young Avengers and, perhaps, the Thunderbolts. We’ll see if they show up in Phase 4. It clearly set up John Walker as US Agent, so we can expect to see him again. But, what about the other Flag Smashers? Are we sure Karli Morgenthau is dead? And, what of the Flag Smasher in the river at the end? Seems like that could be the start of the next Captain America movie.
Sam read the GRU’s leadership for filth for not questioning why the Flag Smashers had gained so much sympathy around the world. Given climate change, food and water insecurity, and growing wealth inequality, we all need to be giving thought to what the world looks like when borders and existing power structures are challenged. Can we be “One World, One People”, or are those only the musings of a misguided teenager?
As I said before, Marvel did well with this series. The whole Flag Smashers plot both took up too much bandwidth yet was inadequately serviced, but this was more about Sam’s journey. Though there was a lot of build up to Sharon as Power Broker, she felt pointless in the end. I just don’t buy her as a morally gray character. Aunt Peggy would be so disappointed. But, yo, she can fight and I am excited to see more of her and of Madripoor. Speaking of Madripoor, why does Marvel seem to have a singular view of Asian cultures??? Do they all have to be cyberpunk speedruns? The scenes in Black Panther wasn’t the best and neither were those in Madripoor. The only series that hasn’t had a ton of complaints was Daredevil and I am not even sure that I just didn’t see them. I am holding out a bit of hope that they do better with Shang-chi and The Ten Rings. I hope Marvel is listening to the fans.
One of my most visited posts is about the origins of the idiom “Kirk Out”. These days, it generally means extreme, maniacal anger, but perhaps it didn’t start out that way. A user named Raoul graced my page and left a comment stating that Bootsy Collins had said it on his song “Ah… The Name is Bootsy, Baby!” The album came out in 1977 and reached number one on Billboard’s Top RnB/Soul albums chart. Shout out to Raoul for hyping me to this! He posited that Kirk Out may have just meant to end a phone call. Given how Captain Kirk used it, this is entirely plausible! Is this the answer for how it entered AAVE (African American Vernacular English)?
Bootsy has been on the afrofuturist tip forever, so it wouldn’t surprise me one bit if he is a Trekkie (and one of the best bassists to ever do it.) Much love to Bootsy! I probably need to a post about the entire Funkadelic era at some point. Listen for yourselves below:
You ever watch a movie that was so bad that it made you mad??? I remember hearing about this movie when it was in development. Peeps were a little excited because, let’s be honest, we all yearn for a good X-men movie. This was initially marketed that way. I’m convinced that rumor got started before anyone saw the actual storyboards for this. In fact, I choose to believe that the studio greenlit this movie without talking to any of the comic creators. Yes, it was that bad, and I’m trying to be fair.
How do you take a cast studded with extremely talented young actors and just waste them? How do you make a movie seem like it was given a huge budget and not enough money all at the same time? Who was the audience for this movie? I just can’t.
Plot synopsis: Five powered young people whose powers have caused death and mayhem find themselves in an institution to learn to control their powers. It is somewhat suggested that they are being trained to be X-men, though this is less clear in the movie. In reality, they are being assessed by the Essex Corporation to determine whether their powers are useful or dangerous. The main character’s powers (Dani) were left unexplained for most of the movie, but she is eventually deemed too dangerous to live. They live in a creepy, abandoned hospital that they slowly realize they can’t leave of their own volition. They go through emotional breakdowns, they kiss, they fight, and, then, they team up to try to overthrow the evil doctor to escape. Smiling men, puppets, and demon bears, oh my! The End.
New Mutants is supposed to be a horror trilogy, but it is more teenage angst-y. It’s like someone got lit and said, “What if we make Twilight meets Legion?” Alas, Anya Taylor-Joy’s portrayal of Magik is passable, but it was like she was in an entirely different movie. Thankfully, the sequels were cancelled, so there won’t be any followups.
It’s a pandemic and I didn’t have anything better to do, so I finished it. But, yo, they put this out in theaters in 2020; could you imagine catching the ‘Rona for this?
And, since this is BlackTrekkie, let’s talk about representation. First, there are no black actors in this movie. The main character is Native American, a group that often suffers from the same lack of depth and reliance on stereotypes in their portrayals in the media. In this movie, her cultural background is simply used as a plot device and is barely shown. This is an inexcusable shame, given the opportunity to offer viewers a glimpse into a culture we rarely see. Second, Sunspot is supposed to be Afro-Brazilian and dark-skinned and Dr. Reyes is a Black woman in the comics. One of the creators, Bob McLeod, has gone on record criticizing their inaccurate portrayals. The movie was shelved for three years, but it had been in development since 2009. Someone at some point should have spoken up and said that this would be unwise with fans. Even in 2009, we knew better right?
1 out of 4 stars. I kinda want you to watch it so that we can compare notes. Actually, nah, don’t.
(but, I know you’re going to watch it anyway because it has Mutants in the name. I see you.)
I’ve been following this stuff and it is getting cooler and cooler. Watch this video:
If you’re reading this blog, you have been waiting for Luke Cage to be released with baited breath. I’ve been checking my Netflix repeatedly to see if it would be released a little early. How greedy am I?
In all seriousness, we need to give Netflix kudos for making a show that was so black. Black with a capital B! The director, the female lead, Pop’s barbershop, Biggie with the crown, the soundtrack, Heather B., Ali Shaheed Muhammad, Wu Tang, and the gatdamn Delfonics. So indulgently black and so needed right now.
Harlem is in the midst of gentrification and a Councilwoman named Mariah is doing her best to make sure the city remains black and brown. It sounds admirable, but we quickly learn that it is tainted by ambition and drug/gang politics. Her cousin, Cottonmouth, is the local kingpin who is under increasing pressure to defend and expand his territory. Luke Cage ends up in the middle of this when Pop’s Barbershop is attacked and Pop is killed. Pop was the closest thing that Luke had to a father and brought the ruckus to bring down Cottonmouth and Mariah’s criminal enterprise. There is a huge shift in the story about halfway through that allows us much more insight into Luke’s backstory. I won’t ruin it for you.
The series did so many things right: the setting, the pacing, the soundtrack, the sarcasm, and the reverence for the comics were like a slow burn. I think the standout feature is the acting. Mike Colter, Simone Missick, Alfre Woodard, Mahershala Ali, Erik Harvey, and all The Wire actors who turned up put in tour de force performances. All the actors seemed to revel in the opportunity to flesh out their roles. Something about it feels different. I’m not sure we’ve seen black characters like this before. Even Turk wasn’t a caricature. You won’t forget any of these characters. Honorable mention to Misty Knight’s naturally bountiful bosom and Luke’s hoodie, which deserve their own conversations.
And, shout out to Night Nurse! Can we get her her own show? Every time I see her character, the more I like her. Rosario Dawson did that! #nightnursesolit needs to start trending now!
I will acknowledge that there were weaknesses. Shades. When he first took his shades off the first time, I thought we were about to give way to the supernatural in the show. Does looking someone in the eye give him the ability to know whether someone is telling the truth? Why does he wear them all the time, even at night? The seeming answer was such a letdown. No, he just likes wearing shades. The uneven treatment of his role was awkward and frustrating. He’s intended to be a ‘chaotic neutral’, but instead he’s just chaotic. I don’t know if it was tha the acting was wooden or that the writers didn’t know what to do with his character, but it just didn’t work. Make a decision! And, we’re not even going to discuss that kiss. I screamed out loud a little.
Diamondback was confusing as well. Erik LaRay Harvey did a great job with the material he was given. My complaint was about the material he was given. Diamondback is a lunatic hellbent on destroying Luke Cage, but he’s also a criminal mastermind. What comes across is a petulant man child with daddy issues and misplaced aggression. Is that really a villain worthy of Luke Cage? I don’t think so. It was kinda corny. Here’s hoping that this season was just an introduction and they have much grander plans for Diamondback.
There were a few MCU continuity issues that I noticed. Alfre Woodard already played a different character in Iron Man 3. A reference was made to President Obama when he is not the president in the Marvel universe. I’m sure there were a few others that I missed.
The story is also a bit detached from the rest of the MCU. Not sure if I should consider that a plus or minus. There is mention of The Incident, the Hulk, Iron Man, Thor, Justin Hammer, and Jessica Jones, but seemingly less so than other shows. We’ll see how this continues to unfold in Season 2.
All in all, a great show that is soul satisfying. Thank you to everyone involved for giving it to us.
P.S. If you’re like me and have a whole lot of questions about a certain character, click here. Great writeup by Zakiya Jamal.
I think so. You know from my previous review that I thought Suicide Squad was ridiculous, but I haven’t really written about X-Men: Apocalypse. I was disappointed with both and I’ve been searching myself to figure out why. I finally figured it out: they are the same damn movie. Hear me out:
In both movies, there is an ancient, body-jumping consciousness that has overwhelming, magical powers that had been locked up by the normal humans. Some overly curious scientist/investigator let them loose and they decided to wreck havoc on civilization. They each assemble their respective teams and go to war with each other. The war is messy; bombs are launched, people die, and there’s travel by helicopter. Inexplicably, both Big Bads plan to build some sort of destructive machine/monument to assume total control of the world, but we never quite find out how they will work. But, in the end, everything just falls flat.
Not the sort of thing that inspires movie ticket sales, eh?
Magneto and Mystic are the bad guys with questionable allegiances on the X-men team and Storm, Psylocke, and Angel are on En Sabah Nur’s team. But, they are all just kinda bad and most for understandable reasons of survival. You know that they are going to turn on their leader in favor of saving humanity. Amanda Waller assembles a team of rogues, called the Suicide Squad, that are chosen for their ruthlessness ad willingness to be and do evil things to combat evil. But, they never really seem that bad. Enchantress, the Big Bad in Suicide Squad, calls up her brother as her main henchman. She also turns men into faceless goons who have caviar for heads by kissing them.
SS’s Deadshot and X-men’s Quicksilver both get their time-slowing save the day moments. More helicopters and explosions. There are a few minutes of backstory to make the audience feel some emotion for them. Joker and Wolverine are shoehorned in for fan service, can’t have movies without them. And, both movies came to the same unsatisfying conclusion that left the viewer wonder what was the point of all this meshsugaas.
Thankfully, nobody dances like Enchantress.
Thinking about that made me lose my train of thought, so I’ll stop here. But, seriously, did anyone else notice this?
I confess that I’m a big Will Smith fan. Even after all of the misunderstood comments, side-eye at his kids’ creative commentary on reality, and the questionable choice to star in Focus. I still love Will; can’t help myself. So, of course, I went to see Suicide Squad on the opening weekend. Didn’t hurt that I received free tickets (hype!).
So, let’s get into it. The early reviews for the movie were bad. Well, bad is actually kind of an understatement. At the time of writing, Rotten Tomatoes has the movie at 28% Rotten. Not sure I’ve ever seen a rating so low for a big movie. The reviews were so bad that my mind went into C-O-N-spiracy theory (word to Damon Wayans). Was the Man trying to hold DC Movies down? After the bad reviews for Batman vs. Superman, is Disney/Marvel trying to stomp down any challengers to its superhero movie dominance? It couldn’t possibly be that bad, could it?
Yeah, it was pretty bad.
As much as it pains me to write this, the movie was bad. I tried. I tried to keep an open mind. I tried to see it as what I think it was supposed to be: a setup for future movies. But, as the movie continued, the more I found myself thinking this sh*t can’t be happening.
The plot of the movie, in a nutshell, is a bunch of society’s misfits with either given or honed special powers assemble to fight a supernatural power that all of our mortal weapons are woefully inadequate to destroy. There are guns, lots of fights, CGI, a love story, all the good stuff you’ve come to expect out of a superhero flick.
On deck are:
Will Smith as Will Smith with a Gun/Deadshot
Jared Leto as Tony Montana/Joker
Margot Robbie as Harley Quinn. No jokes here, she did a great job.
Joel Kinnaman as Rick Flagg/Angsty Eyebrows
Viola Davis as Annalise Keating with a Gun/ Amanda Waller
Jay Hernandez as Diablo
Jai Courtney as Digger Harkness/Boomerang
Adewale Akinnuoye-Agbaje as Killer Croc. Sigh.
Cara Delevigne as Dr. Moone/Enchantress
Adam Beach as Slipknot
Karen Fukhara as Katana
Common as Monster T
Ben Affleck as Bruce Wayne
Got it? Good. There will be a quiz later.
That’s a lot of characters to set up in one movie, right? I agree. That’s the main problem with the movie; it’s all over the place for no good reason. Each character gets between 3-5 minutes of backstory, save Slipknot who gets 10 seconds. In fact, maybe less, he is summed up in “He can climb anything.” Then, he dies. Bye Slipknot. Native Americans may be salty as sh*t at this. Frequently a black person is the first to die in a movie, but even we get more screen time than that.
Deadshot has a kid who doesn’t want him to be a mercenary anymore. Diablo has the most juice of any of them, but he’s sworn off killing in an attempt to quell his demons. Dr. Moon gets possessed by Enchantress. Amanda Waller is a sociopath in a pantsuit. Katana is emo-crazy with a sharp sword. Killer Croc is… well, we’ll come back to that. Harley Quinn gets the most backstory to setup the quixotic obsession that she and Joker have with each other. Speaking of which, why is the Joker even in this movie??? Jared Leto, reportedly, stayed in character the entire shoot by playing pranks and doing some downright disgusting things to his co-stars (i.e. sending them used condoms). Was he hoping to win an Oscar with this role? He either needed to be in the movie or not at all. After some thought, I think not at all. He should have his own movie focused on Joker and Harley Quinn, because the snippets of their relationship development made no sense in the movie. What kind of magic stick/mind f*ckery did he do to turn Harley Quinn out like that? Please get him on Oprah because inquiring minds want to know.
The problems with the movie mainly come down to pacing and tone. It’s serious one moment and lighthearted the next. One minute, the team is a bunch of strangers; 15 minutes and some drinks later, they are talking about how they are family and friends. These are bad guys, the baddest. Does game recognize game? If so, how do you build trust like that with folks you don’t know? Do you have to test their loyalty first? The was a sharp sigh in my theatre when Diablo started talking about messing with his “family”.
Speaking of Diablo, he was the only character whose story offered any emotional range. He was the only one I came to care about during the entire movie. His gift caused him to harm the people he loved the most. Well, him, and Deadshot’s daughter. Batman pops up to try to wrangle Deadshot and her little tail stepped in front of Deadshot’s gun. I know that they were trying to Pursuit of Happyness Will Smith’s character, but bye. First off, it’s Deadshot; he still could’ve hit Batman without her moving because HE’S DEADSHOT! Second, I know Daddy had a talk with his little girl about not interfering in grown folks bizness! But, whatever. If I had pulled that, my dad would have turned into a 10 foot tall monster like Enchantress’ brother. Trust.
Deadshot did have the funniest moment in the movie when he was making demands, one of which was to ensure his daughter went to an Ivy League school and, if she couldn’t cut it, to “White people that thing. Y’all know how y’all do”. In-joke about meritocracy. There was some polite tittering at that line in my theatre with a few full belly laughs. The kind of laugh that says, “Pause the movie, you heard that sh*t, right.” I don’t know who they came from; it was dark.
That could have been the end of the movie and I would have felt satisfied. But, there was more.
Cara Delevigne’s Dr. Moon/Enchantress was the main antagonist in the movie. Dr. Moon was possessed by Enchantress after having found an idol containing her spirit in a cave. Dr. Moon was sweet and yielding and fell in love with Rick Flag, but her other side was the complete opposite. Enchantress got free and all hell broke loose, literally and figuratively. Now, here’s where it got hinkey for me. Why were the plots of X-Men: Apocalypse and Suicide Squad so similar? Apocalypse, like Enchantress, was this ancient Big Bad that was extremely overpowered and used to being worshipped as a God. Both were trying to construct something that caused massive destruction around the world. Was it half-off script day at Starbucks? The similarities made me wonder whether this was the reason for the obvious editing mess that was Suicide Squad’s end result. I’m sure we’ll never know, but it is irritating because Suicide Squad had sooooo much material from which to draw.
Anyways, the movie goes downhill into complete drivel and silliness that isn’t worth recounting. The one upshot was Enchantress doing the drunk/crackhead shimmy while trying to conjure her magic. Cara should be angry about the role she was given. Why did a witch found somewhere in South America have a British accent? This has got to be the downside of being beautiful. Nobody takes you seriously. Everything you do is just great (including looking like the little girl from The Ring). But, then again, you get a role in a major movie, so I guess it’s a wash.
This might be the most diverse marquee of any big budget movie. That makes the clusterf*ck that this film turned into all the more sad. Let’s imagine what could have been: one focused backstory with other supporting players (probably should have been Amanda Waller’s story), no Joker, and a better villain. Hey, they could even bring Slipknot back in the retconned sequel! And, maybe, they’ll do better with Killer Croc. Yeah, I know I said I would come back to him. How you gon’ do Adebesi from Oz dirty like that, David Ayer? He’s an excellent actor. It probably would’ve been better if they just didn’t have him speak. His one intelligible utterance was about getting BET in his cell in order to watch what appears to be the long defunct BET Uncut. My eyes rolled so hard that they nearly fell out of my head. I guess David Ayer figured that there were so many black characters in the movie that it was fine to make Killer Croc one massive and continuous stereotype. I can’t call it.
**1/2 Stars. I have the feeling a better movie exists in the deleted scenes. The movie is still going to make a ton of money, but DC can still hold this L.
So, what say you?
* Yes, I totally forgot that Monster T was the first to die, Jason. Fight me.
Boy, the hits just keep coming, don’t they? We’ve lots a lot of good ones over the last year, but this loss feels more personal. I haven’t posted in a while, but this passing deserved a post. James Avery was one of the GOATs in the acting game, of all races. Most of us knew and loved him as Uncle Phil on the Fresh Prince of Bel-Air, but us Trekkies knew he was also Captain K’Vagh on Star Trek Enterprise. Even fewer people know that he auditioned against Michael Dorn for the role of Worf in TNG (Stop for a sec: Can you imagine?)
We’ve lost one of the greats, everyone. Nearly everyone’s favorite TV dad and an actor that gave 100% to every role he took. He passed on today after suffering complications from heart surgery earlier this month; he was 68.
Beware, a Klingon Warrior is about to arrive!
Truth, y’all are going to have to follow me on this one. Star Trek and Wu Tang go back like Bugs Bunny and Daffy Duck. I would bet you $20 that any black trekkie you meet is also a Wu Tang fan. And, if you asked them to explain why, they couldn’t. Why? Because Wu Tang is for the children (RIP ODB)! There’s an other-ness, slightly esoteric, to enjoying both and, as such, you earn a certain geek cred when you bring them up. Truth, I’ve been waiting to find the guy who likes both on his own and, when I do, we’ll probably hit Vegas. I hear they do Klingon weddings at a little chapel out there.
Anyways, this brings me to Drake. It started with Macklemore mentioning Wu in a song, all good, white boy can rap. But, then, Drake comes out with “Wu Tang Forever” and my brow instantly furrowed. I like Drake, but he’s not exactly known for spitting hot fire, right? Exactly. It’s a song out of my nightmares. How did he even get the “It’s Yours” sample cleared? Rza, WTF??? The song is about creeping with a girl who already has a man and Drake is SINGING! Don’t use the Wu to prove you’re cool. I fully expect there will be some Star Trek name drops soon enough.
I guess there’s no such thing as bad publicity, right? Am I wrong?
Hold up, so Voyager 1 has left the damn solar system and it’s not on the front page anywhere? Y’all do realize what an achievement this is, right? Voyager has now traveled farther than any man-made object to date.
Just so we are clear, this is a photo of Earth from Voyager 1 in 1990. See that little blue dot in the brown band? Yep, that’s us and everyone who has ever lived on Earth. It’s been 23 years since that was taken.
There’s been controversy about whether Voyager 1 actually left for a year or so now, but it appears researchers are certain that Voyager 1 is now traipsing through the Milky Way. It has actually gone where no man has gone before!
Remember V’ger, anyone else a little nervous? Could you imagine Voyager 1 being intercepted and upfitted by a race of aliens and returning to us? I’ll be long dead by the time that happens, but it is kinda cool to consider. On the other end of the spectrum, a probe entering a black hole and becoming self-aware was a very similar story to the movie Event Horizon– the scariest movie ever made. Let’s hope that sh*t doesn’t happen.
The V’ger entity and resultant merger with Ilia and Lt. Decker is supposed to be the beginning of the Borg, so, yeah, let’s hope all of that doesn’t happen. In fact, let’s hope that the galaxy is filled with gentle, kind My Little Ponies or something.
In fact, maybe there is good reason for this not to be front page news after all…
Happy Friday everyone!